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Decolonising Art History

The full portal containing all resources can be found here.

This portal contains hundreds of references arranged along subject, themes and media in eight bibliographies.  It provides access to materials on anti-racist, postcolonial and decolonising art histories and is meant for anyone conducting research in those areas in art history or in visual or spatial culture.  It is also meant to support academics in making meaningful change in their departments, their teaching and their research.

The collection is curated by CHASE alumnus Dr. Edwin Coomasar on behalf of the Association for Art History.

 

Some Highlights

  • Professor Dorothy Price and Catherine Grant’s 2020 Journal of the Association for Art History questionnaire on decolonising the discipline.
  • Camara Dia Holloway’s 2016 article on ‘Critical Race Art History’ in Art Journal.
  • Sumaya Kassim’s 2015 article ‘The museum will not be decolonsied’.
  • Ariella Aïsha Azoulay’s 2019 book ‘Potential History: Unlearning Imperialism’.
  • Walter Rodney’s hugely important and influential 1972 book ‘How Europe Underdeveloped Africa’.
  • Angela Saini’s 2019 book ‘Superior: The Return of Race Science’.
  • Kehinde Andrews’ 2021 book ‘The New Age of Empire: How Racism and Colonialism Still Rule the World’.
  • Priyamvada Gopal’s 2020 book ‘Insurgent Empire: Anticolonial Resistance and British Dissent’.
  • Priya Satia’s 2020 book ‘Time’s Monster: History, Conscience and Britain’s Empire’
  • Katherine Binhammer’s 2020 article, published in Eighteenth Century Fiction Journal, which asks: ‘Is the Eighteenth Century a Colonizing Temporality?’
  • Debbie Challis’ 2013 book, ‘The Archaeology of Race: The Eugenic Ideas of Francis Galton and Flinders Petrie’.
  • Richard Hylton’s 2019 Art Monthly article on ‘Decolonising the Curriculum’
  • Mark Sealy’s 2019 book ‘Decolonising the Camera: Photography in Racial Time’.
  • ‘A Questionnaire on Decolonization’, published in October (No. 174, Fall 2020) by Huey Copeland, Hal Foster, David Joselit, and Pamela M. Lee.

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